Last week we featured Paul Gomez on the Importance of the Full Firing Grip. Today we'll hear what he had to say about the Drawstroke; again, I've taken the liberty of editing slightly for written format.
An Overview of the Drawstroke – Paul Gomez
We're going to put the drawstroke into historical context. We're going to look at the drawstroke as taught at API (the American Pistol Institute) at Gunsite, the original private sector training school of the United States, and more recent variations; the way drawstroke is taught these days and the way I teach drawstroke in particular. The drawstroke as taught at Gunsite originally was a five count maneuver; Grip, Clear, Click, Smack, Up–Look-Press.
This drawstroke has the gun coming away from the body, driven to the low ready and then raised to the target. The issue I have with this is that the gun has to come off the body and lift up – you have to have space to do this, and from a weapon retention perspective, if you're physically fighting over the gun, you have less control of the pistol than you do if the weapon is closer to the body.
There are a number of people who still use that drawstroke or some small variation of it.
Starting in the late 80s and early 90s you began to see variations where the gun was not being driven down to the low ready, the gun was being lifted up the body. This is what we now refer to as the four count drawstroke. It is a more linear, ‘up and out' drawstroke. As it was first taught by guys coming out of the modern technique background, still using the Weaver stance, the gun would be driven up the body, pointed forward at what is now count two of drawstroke, the support hand would come across to the gun [at approximately armpit level] so the shooter had both hands on the pistol. It would be driven forward from there.
Again with the Weaver Stance you have that isometric tension, a push-pull tension between the hands. The gun arm was locked straight out or slightly flexed and the support hand was pronouncedly bent. So, when the shooter was driving out to target from there it made sense to orient the gun at the body, at count two, and drive forward.
Subsequently there was as shift towards what is known now as the Modern Isosceles, which is a more symmetrical firing structure. As this shift was made, that four count draw stroke made less and less sense because of the way that presentation puts the gun in front of the dominant eye. No matter where it starts or how it gets there, if you're shooting from extension at eye level, that drawstroke ends with the gun in front of the eye you were using on the sights; your primary eye.
Presenting the weapon from high on the body, armpit level, establishing a two-hand grip and then pushing the gun out and moving it to get in line with the is not terribly efficient. A more efficient path of motion is to move the gun across the torso, to put it in line with the dominant eye and push it forward from there.
Those are some variations on the original drawstroke from Gunsite and some later variations.
“EVERY TOOL IS A WEAPON IF YOU HOLD IT RIGHT.”
Photo credits unknown – used here with respect.
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